language to be nothing like it whatsoever. It appears to be a different order of communication. What stories the dolphins could bring back from their alien world of water if we could only communicate with them.
DJB: The final question. Could you tell us about the Albert Hofmann Foundation and any other current projects that you’re working on?
OSCAR: Well, I co-founded the Albert Hofmann Foundation about three years ago. I was involved in LSD research from 1954 to 1962. During that time I accumulated a large store of books, art-work, papers, correspondence, tape-recordings, news-clippings, research reports and memorabilia which probably represented a fair sample of what went on in the psychedelic history of Los Angeles and elsewhere. I was aware that there is a great deal of this kind of information that is scattered and isolated and in dager of being lost or destroyed. Collected and organized this would provide an extremely valuable resource for future research and historians. I was approached by several people who were committed to preserving these unique records. We formed a non-profit organization that we felt was fitting to be named in honour of the man who discovered LSD and psilocybin – Albert Hofmann. He was most gracious in his acceptance and pledged his whole-hearted support. It is based in Los Angeles and functions soley as a library, archive and information center at this time. We have collected a great deal of relevant material from the poineers of psychedelic research; eg. Laura Huxley, Allen Ginsberg, Stan Grof, Humphrey Osmond and many others. I got back an enthusiastic response from most of the leaders of this movement. The foundation provides the only open forum for the legitimate discussion of these issues. It offers a place where people can discuss ideas about their own experiences under these various agents. I was surprised to learn how many people out there are closet psychedelic graduates. I’ve talked to people who I thought that never in a million years would understand what I was talking about. “Oh my, It was a wonderful experience!” said a sixty-five year old professor of Medieval French, and I couldn’t believe that she had said that. There’s plenty of them out there, so we’re bringing them together and many of them have become members in our organization. Other projects? I’ve been working in several non-profit organizations that have some concern for the ecological welfare of the Earth. One is called, “Eyes on Earth”, and another is called, “Earth Anthem”. Eyes on Earth involves a scientific visualization of the Earth and it’s resources. It is the only true cloud-free picture of the Earth, projected electronically onto a huge globe. It was painstakingly assembled by the photographs of the Earth without clouds taken by satellite and it depicts how different resources are dwindling and being depleted. Earth Anthem is a contest for people throughout the world, to find an anthem that represents the earth. This project will culminate in a program designed to celebrate the finalists of this contest. We want to find a song that is representative of the earth, one that we could sing if the Martians come. (laughter) In addition, my new book – A Different Kind of Healing – is in publication by Putnam and is to be released shortly. So that’s what I’m up to, and I keep moving. I think Einstein said it, “Keep moving!”